A recurring circular motif acts as a connective thread throughout the series. Sometimes this appears overtly, through arrangements of dice forming arcs and curves; at other times the motif emerges more subtly in the framing or compositional flow. These circles serve as visual orbits, holding the images together and suggesting cosmic movement. The dice themselves become planets, asteroids, or drifting particles—objects whose small scale is obscured through lighting, framing, and perspective.
The installation echoes this conceptual focus. The photographs are arranged in a scattered formation reminiscent of celestial distribution, suggesting both randomness and interconnectedness—an echo of the Big Bang and the expanding universe. The contrast between the larger images and the smaller surrounding ones strengthens this sense of spatial dispersion.
Formally, the series relies on saturated colour, dynamic lighting, and deliberate ambiguity of setting. Through layering effects and playful editing, the images occupy a liminal space between documentation and fabrication. Viewers are invited to question what is real, what is staged, and how scale shifts their perception. Ultimately, the project proposes that imagination itself is a kind of universe—one we can enter through the simplest objects, given the right frame of light, colour, and narrative possibility.
